April Higashi’s Shibumi Gallery, in Berkeley, California, is having a wonderful show by Japanese artist Liisa Hashimoto. The installation of the show is very energetic and imaginative, like a playground. I
understand that you live in Osaka, Japan, but went to school to learn
metalsmithing in America. Is that correct, and if so, can you tell me
who you studied with and where?
Liisa Hashimoto: Yes, I
live in Osaka now. I have my studio here, too. After graduating from
high school, I went to America and learned metalsmithing under Ms. Yoshiko Yamamoto at the School of the Museum of Fine Arts in Boston, Massachusetts. Would you tell the backstory of how you got a show at Shibumi Gallery in Berkeley, California?
Hashimoto: Donna Briskin, an early board chair and longtime member of
AJF, is an art collector who lives in Berkeley, California. She found my
name through Klimt02
and visited my studio while in Japan two years ago. Last year, she came
back to my studio with a travel group from the Art Guild of the Oakland Museum of California. She showed my works to April Higashi, owner of Shibumi Gallery, and she gave me a chance to exhibit. What
is the contemporary jewelry scene like in Japan? Please talk about the
main schools and galleries in Japan as well as how the Japanese people
respond to the work.
Liisa Hashimoto: Contemporary
jewelry is not too popular here in Japan as it is in America or in
Europe. There are not too many galleries or shops that carry
contemporary jewelry in Japan. I think that we Japanese are short and
small compared to Western people, so we prefer smaller jewelry that is
not too big or striking. Many people prefer jewelry that has brand names
or real stones. Many of them enjoy looking at the contemporary jewelry,
but only a few are eager to buy and wear it.
Probably the most well known school for jewelry making in Japan is Hiko Mizuno College of Jewelry.
The school has locations in both Tokyo and Osaka. The Tokyo school was
established more than twenty years ago. The Osaka school was opened in
2008 and is still quite new. Hiko Mizuno is connected to many
contemporary jewelers worldwide and has visiting artists who give
lectures in the schools. Many contemporary jewelers in Japan are
graduates from Hiko Mizuno.
Unfortunately, there are few well-known galleries in Japan—gallery deux poissons in Tokyo, Gallery C.A.J. in Kyoto, and Toi in Osaka. I am sorry to say that there are no other good galleries for contemporary jewelry in Osaka. You have called the show Light Fiction. Why? Actually, April Higashi chose the name, and this is what she says about it:
‘The show pairs the work of jewelry artist Liisa Hashimoto and the design studio of Anzfer Farms (Jonathan Anzalone and Joseph Ferriso). I chose the name Light Fiction because
I felt the work created by all the artists in this show share the
similar sensibilities of lightness, elegance, and playfulness found in
nature. Observing manmade objects that have been left outdoors and the
playful way nature integrates and embraces them over time inspires
Liisa’s jewelry. Anzfer Farms uses reclaimed and found pieces of wood to
create elegant yet unassuming sculptural lights and objects. I felt
autumn, with its changes of colors and light, was the perfect season to
show these artists. Their works embody the transformations of nature,
the changing luminosity, and the temporal elegance of materials.”
installation includes wire props to hold each piece. It gives an
animated feeling, like a Calder circus or a large playground. What were
you thinking about when you planned this?
Liisa Hashimoto: My installation was inspired by Calder’s Circus and his mobiles. Alexander Calder is one of my favorite artists! And for the show Light Fiction,
my personal theme was ‘to the open air.’ As you wrote, I wanted to
express the playground outside, coming out from the house. So, I made
some of my pieces movable with brass wires to show them like a jungle
gym. And most of all, I wanted to show the shadows through the
installation. The shadows were important to think about, especially
since having the chance to exhibit with Anzfer Farms, a lighting
designer. If you were to invite some well-known jewelers to visit your studio, who would they be?
Liisa Hashimoto: There are so many jewelers that I admire, but if I could only invite one I would like to ask Mari Ishikawa,
a well known Japanese jeweler living in Munich, Germany. Her works are
all beautifully inspired by nature with the background of Japanese
culture—the colors, shapes, etc. I get inspiration from nature and
natural things myself, so Mari’s works stimulate me a lot. Fortunately, I
had the chance to attend her slide lecture in Osaka this year. Her
personality is also very nice, and I can see her strength and
sensitivity toward her work, too. But, I did not have a chance to invite
her to my studio. So next time if I have a chance, I would like Mari
Ishikawa to visit my studio. Thank you.